Savitri as Sasirekha in Maya Bazaar, hand-coloured by ace photographer D.S. Balarama too, tricked by Duryodhana and his uncle Shakuni, agrees to Sasirekha marrying Duryodhana’s son Lakshman Kumar. When Subhadra comes to Dwaraka to request Sasirekha’s hand for Abhimanyu, Revathi rudely turns her down. But when misfortune strikes the Pandavas and they lose their kingdom in a game of dice, Revathi is no longer keen to honour the commitment to give her daughter to the son of a prince without a kingdom. Sasirekha (Savitri), the daughter of Balarama and Revathi, is betrothed to Subhadra and Arjuna’s son Abhimanyu (ANR) in their childhood in the presence of Krishna (NTR) and Rukmini. Thirdly, by choosing a story with tremendous magical moments/ illusion, the film makes best use of the technical advantage of the cinematic medium. Their frailties, body language and normal speech of the gods make them relatable and straight-out-of-life, albeit in costume. Even Krishna goes about his machinations discreetly. Secondly, none of its epic characters come with the usual halo that defines their on-screen presence. Hence, someone uninitiated into the humongous web of relations in the Mahabharata too can enjoy the film as a standalone, adventurous love story. For a story revolving around the Pandavas and Kauravas with their famed game of dice as its drama trigger, it is impressive how it manages to progress without the presence of the Pandavas. Firstly, the film shows how a taut script can work wonders. Why? After all it’s just another love story from the Mahabharata with a magical premise that has its heroine replaced by a male illusionist demon.
Rajamouli, one of Telegu cinema’s most popular and influential 21st century filmmakers, calls Mayabazar “the greatest classic and absolute influence of all times, not only on me and my generation of filmmakers, but the entire Telugu film industry.” Its success has since been abundantly repeated. Ranga Rao and Savitri was a welcome change to ‘the mythological template’ in how it humanised the gods for the first time. Reddy’s path-breaking 1957 bilingual, Mayabazar, starring some of the now legendary actors N.T. You will find best music that you will want to keep listening with heart touching lyrics that will fill your soul.Of all Indian regional cinemas nowhere has the ‘mythological film’ survived the longest as in the cinemas of south India, and especially Telugu cinema, where it was a dominant genre right up to the 1970s.
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He is also referred to as the Gaana Gandharva for his mesmerising voice. Ghantasala sang the Bhagvad Gita just before his death in 1974. He sang in mang Indian languages Tamil, Kannada, Malayalam, Tulu and Hindi. Ghantasala sang hundreds of popular telugu old songs you can hear through our classic Ghantasala telugu super hits collection. Ghantasala Telugu Hit Songs app provides best collection of Ghantasala old songs in telugu.